Skip to main content

corydon & alexis, redux


and yet we think that song outlasts us all: wrecked devotion
the wept face of desire, a kind of savage caring that reseeds itself and grows in clusters

oh, you who are young, consider how quickly the body deranges itself
how time, the cruel banker, forecloses us to snowdrifts white as god's own ribs


what else but to linger in the slight shade of those sapling branches
yearning for that vernal beau. for don't birds covet the seeds of the honey locust
and doesn't the ewe have a nose for wet filaree and slender oats foraged in the meadow
kit foxes crave the blacktailed hare: how this longing grabs me by the nape


guess I figured to be done with desire, if I could write it out
dispense with any evidence, the way one burns a pile of twigs and brush

what was his name? I'd ask myself, that guy with the sideburns and charming smile
the one I hoped that, as from a sip of hemlock, I'd expire with him on my tongue


silly poet, silly man: thought I could master nature like a misguided preacher
as if banishing love is a fix. as if the stars go out when we shut our sleepy eyes



D. A. Powell

Chronic
Graywolf Press

Comments

Popular posts from this blog

Phrases for Public Speakers at Sea

by M. B. Powell We ought, first of all, to note her oceanic eyes flecked with sea wrack. And we should pause to consider the wavy wilderness of her damp hair. I will not dwell on her cheeks ruddy under my thumbstrokes. I will not attempt to explain the shapely abalone shells of her ears. I wish to call your attention to the cunning animal of her mouth, muscular. I wish to say something about the mollusky dark language of her kisses. I am obliged to mention her sudden breasts, breaching, rhythmic. And I am perfectly astounded at her finger charting my lips round her nipple. Here, in this connection, let us notice her nipple against the roof of my mouth. Here, in passing, let us observe ...

The Moonflowers

It's as if the dark, which had before just been context, gave to vulnerability a permission, almost: fleshy saucers of spilled cream, so many parchment fists, unfisting; and now, in pieces, the delicate mask of an indifference offered radically up against what, each time, seems as unthinkable, as unexpected, as when, in the long dream of retraction, that sea that is finally not a sea, but what else to call it, begins again its shifting, and though to every push of the will forward there's something noble—which is to say, something lonely, also—it's too late. Carl Phillips Speak Low Farrar, Straus and Giroux

Discovery

I believe in the great discovery. I believe in the man who will make the discovery. I believe in the terror of the man who will make the discovery. I believe in the pallor of his face, the nausea, the cold sweat on his lip. I believe in the burning of the notes, the burning of them ashes, the burning of every last one. I believe in the scattering of the numbers, the scattering of them with no regret. I believe in the quickness of the man, the precision of his movements, his uncoerced free will. I believe in the smashing of the tablets, the pouring out of the liquids, the extinguishing of the ray. I assert that all will work out, and that it will not be too late, and that things will unfold in the absence of witnesses. No one will find out, of that I am sure, neither wife nor wall, not even bird, for it may well sing. I believe in the stayed hand, I believe in the ruined career, I believe in the wasted labor of many years. I believe in the secret taken to the grave. For me these words ...