Skip to main content

Ways of Talking

By Ha Jin

We used to like talking about grief
Our journals and letters were packed
with losses, complaints, and sorrows.
Even if there was no grief
we wouldn’t stop lamenting
as though longing for the charm
of a distressed face.

Then we couldn’t help expressing grief
So many things descended without warning:
labor wasted, loves lost, houses gone,
marriages broken, friends estranged,
ambitions worn away by immediate needs.
Words lined up in our throats
for a good whining.
Grief seemed like an endless river—
the only immortal flow of life.

After losing a land and then giving up a tongue,
we stopped talking of grief
Smiles began to brighten our faces.
We laugh a lot, at our own mess.
Things become beautiful,
even hailstones in the strawberry fields.


Ha Jin, “Ways of Talking” from Facing Shadows. Copyright © 1996 by Ha Jin. Reprinted with the permission of Hanging Loose Press.

Comments

Popular posts from this blog

Phrases for Public Speakers at Sea

by M. B. Powell We ought, first of all, to note her oceanic eyes flecked with sea wrack. And we should pause to consider the wavy wilderness of her damp hair. I will not dwell on her cheeks ruddy under my thumbstrokes. I will not attempt to explain the shapely abalone shells of her ears. I wish to call your attention to the cunning animal of her mouth, muscular. I wish to say something about the mollusky dark language of her kisses. I am obliged to mention her sudden breasts, breaching, rhythmic. And I am perfectly astounded at her finger charting my lips round her nipple. Here, in this connection, let us notice her nipple against the roof of my mouth. Here, in passing, let us observe ...

The Moonflowers

It's as if the dark, which had before just been context, gave to vulnerability a permission, almost: fleshy saucers of spilled cream, so many parchment fists, unfisting; and now, in pieces, the delicate mask of an indifference offered radically up against what, each time, seems as unthinkable, as unexpected, as when, in the long dream of retraction, that sea that is finally not a sea, but what else to call it, begins again its shifting, and though to every push of the will forward there's something noble—which is to say, something lonely, also—it's too late. Carl Phillips Speak Low Farrar, Straus and Giroux

The Gift

The day my mother dropped a net of oranges on the kitchen table and the net broke and oranges rolled and we snatched them, my brother and I, peeled back the skin and bit deep to make the juice explode with our laughter, and my father spun one orange in his palm and said quietly, "This was Christmas, 1938," said it without bitterness or anger, just observing his life from far away, this tiny world cupped in one palm, I learned I had no way to comprehend an orange. Sean Lause Beloit Poetry Journal Winter 2008/9