Skip to main content

REPOST: M.B. Powell

Sometimes it is not really (a matter) of how many people read or comment on a blog.

TUESDAY, MARCH 10, 2009

Phrases for Public Speakers at Sea

by M. B. Powell

We ought, first of all, to note

her oceanic eyes flecked with sea wrack.

And we should pause to consider

the wavy wilderness of her damp hair.

I will not dwell on

her cheeks ruddy under my thumbstrokes.

I will not attempt to explain

the shapely abalone shells of her ears.

I wish to call your attention to

the cunning animal of her mouth, muscular.

I wish to say something about

the mollusky dark language of her kisses.

I am obliged to mention

her sudden breasts, breaching, rhythmic.

And I am perfectly astounded at

her finger charting my lips round her nipple.

Here, in this connection, let us notice

her nipple against the roof of my mouth.

Here, in passing, let us observe

her palms casting me down the dark seaway.

And here, I have to speak again of

sea wrack, oceanic pools, salt waves.

And here, I wish I could stop

and surface, save myself, return to tell.

But now it begins to be apparent

that I am far weaker than I had thought.

And now we are naturally brought on to

the sea change that deception brings.

You may point, if you will, to

scripture, proverbs, and therapeutic talk.

You may also search through history

and learn that my deafness is archetypal.

It is, to be sure, a melancholy fact that

love’s clouds will ever hang on us, drown us.

It is, to be sure, a notorious fact that

love’s tempest has driven me from my home.

What remains to be shown is

whether I can put an end to this.

What remains to be considered is

whether anyone should.

For when we contemplate

the doldrums of life, we cannot rest.

And, likewise, when we reflect upon

the pitiful port, we must rush into peril.





Comments

Popular posts from this blog

Discovery

I believe in the great discovery. I believe in the man who will make the discovery. I believe in the terror of the man who will make the discovery. I believe in the pallor of his face, the nausea, the cold sweat on his lip. I believe in the burning of the notes, the burning of them ashes, the burning of every last one. I believe in the scattering of the numbers, the scattering of them with no regret. I believe in the quickness of the man, the precision of his movements, his uncoerced free will. I believe in the smashing of the tablets, the pouring out of the liquids, the extinguishing of the ray. I assert that all will work out, and that it will not be too late, and that things will unfold in the absence of witnesses. No one will find out, of that I am sure, neither wife nor wall, not even bird, for it may well sing. I believe in the stayed hand, I believe in the ruined career, I believe in the wasted labor of many years. I believe in the secret taken to the grave. For me these words ...

Caffeine

Because you do not know me, Francezca, you have every reason to be afraid— afraid because, while you are sleeping, I can be the moon, peeping in from out your window like some lonely lunar voyeur, or some rusty blade or kitchen knife when you feel like ending your life with a quick slash or laceration; because, when you wake up, I can be the toothbrush dangling silently in your bathroom, or the forlorn cotton bud preparing to rid your ears of dust and excessive earwax. This is no time to relax, Francezca— I can be anywhere anytime, anyone and anything you cannot even begin to imagine: the whipped cream on your waffle, the mothballs in your closet, the card tag of your tea bag, the jaundiced shade of moonlight, the moon-cake you hate, the steady staccato of rain, the flush’s fecal fouette, the hair inside your nose, your lip, your mole, black hair and brown irises, white teeth and red gums, your scalp, your skin, even your toenails. What is scary, Francezca, is the fact that you don’t e...

Low

It's not happiness, but something else; waiting for the light to change; a bakery. It's a lake. It emerges from darkness into the next day surrounded by pines. There's a couple. It's a living room. The upholstery is yellow and the furniture is walnut. They used to lie down on the carpet between the sofa and the coffee table, after the guests had left. The cups and saucers were still. Their memories of everything that occurred took place with the other's face as a backdrop and sometimes the air was grainy like a movie about evening, and sometimes there was an ending in the air that looked like a scene from a different beginning, in which they are walking. It took place alongside a scene in which one of them looks up at a brown rooftop early in March. The ground hadn't softened. One walked in front of the other breathing. The other saw a small house as they passed and breathed. The reflections in the windows made them hear the sounds on th...